THE FULL COLLECTION

Art

252 Things in Art. Select a category or move through the pages.

Art Institute of ChicagoMitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of t

Look closely at Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of t. Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills.

Art Institute of ChicagoOinochoe (Pitcher)

Look closely at Oinochoe (Pitcher). Terracotta pitcher decorated with red figures on a black background, with a slender neck and base.

Art Institute of ChicagoLamp with Hanging Head Dragonfly Shade and Mosaic and Turtleback Base

Look closely at Lamp with Hanging Head Dragonfly Shade and Mosaic and Turtleback Base. Lamp with stained glass shade featuring dragonflies and shades of green, purple, brown.

Art Institute of ChicagoBelly-Amphora (Storage Jar)

Look closely at Belly-Amphora (Storage Jar). A two-handled, bulbous vessel with a painted image of five human figures, one carrying a shield.

Art Institute of ChicagoSeated Bodhisattva

This Nara-period bodhisattva was shaped from a wood core and finished with dry lacquer. Traces of gold leaf survive on a sculpture made to give a compassionate Buddhist presence a human body.

Art Institute of ChicagoApples and Grapes

Look closely at Apples and Grapes. Apples and grapes rest in a shallow wicker basket on a table covered with a light-colored cloth.

Art Institute of ChicagoHydria (Water Jar)

Look closely at Hydria (Water Jar). A terracotta jar, wider at the top with a narrow neck and small handles, decorated in black, featuring human figures against red.

Art Institute of ChicagoE28: German Sitting Room of the Biedermeier Period, 1815–50

Look closely at E28: German Sitting Room of the Biedermeier Period, 1815–50. Replica of a sitting room with pale-blue walls and a wave-patterned wallpaper border.

Art Institute of ChicagoAbstract Portrait Vessel of a Ruler with Painted Face Resting on Feet

Look closely at Abstract Portrait Vessel of a Ruler with Painted Face Resting on Feet. A head-shaped tan and red-orange ceramic vessel with a round, expressionless face atop two squat feet, darker markings around the eyes and down the cheeks.

Art Institute of ChicagoVirgin of the Immaculate Conception

Antonio Maragliano’s workshop carved this standing Virgin from wood around 1710–20. Folded arms, a ring of stars, sweeping drapery, and the small angel supporting her turn a devotional image into a rising vertical movement.

Art Institute of ChicagoStill Life with Dead Game, Fruits, and Vegetables in a Market

Look closely at Still Life with Dead Game, Fruits, and Vegetables in a Market. An older man at left in red raises his hat toward a central table chaotically overflowing with dead game, fruits, and vegetables.

Art Institute of ChicagoFragment

Look closely at Fragment. Long, thin piece of fabric featuring a border design in reddish brown of an undulating vine with curled tendrils and three-petaled blossoms.

Art Institute of ChicagoThe Beach of Les Grands Sables at Le Pouldu

Look closely at The Beach of Les Grands Sables at Le Pouldu. A painting in large swaths of color of a sweeping and steep gold valley with haystacks.

Art Institute of ChicagoHead of a Bearded Man

This Cypriot limestone head keeps the almond-shaped eyes, ordered ringlets, and faint smile associated with earlier Greek sculpture. Its deliberately old-fashioned face makes style a clue to how forms traveled and remained useful across the eastern Mediterranean.

Art Institute of ChicagoA31: Tennessee Entrance Hall, 1835

Look closely at A31: Tennessee Entrance Hall, 1835. Miniature room featuring walls decorated with a tropical landscape, a spiral staircase, a crystal chandelier, and two rugs.

Art Institute of ChicagoBust of Paris

Antonio Canova carved the Trojan prince Paris with a calm gaze and a shepherd’s cap. The marble isolates a moment of poised beauty from a myth whose judgment leads toward Helen’s abduction and the Trojan War.

Art Institute of ChicagoJacques and Berthe Lipchitz

Look closely at Jacques and Berthe Lipchitz. Large painting, standing man blue turtleneck, sitting woman with white collar.

Art Institute of ChicagoJar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges

Look closely at Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges. Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Art Institute of ChicagoPortrait of Jacques Nicolas Colbert, Archbishop of Rouen

Look closely at Portrait of Jacques Nicolas Colbert, Archbishop of Rouen. Portrait in black ink of a light-skinned, clean shaven man in religious costume with dark curly hair and a cross around his neck.

Art Institute of ChicagoPastoral Landscape with Ruins

Look closely at Pastoral Landscape with Ruins. Painting of a resting man and woman with assorted livestock, arched ruins and a lush landscape behind them.

Art Institute of ChicagoThe Petitions [right part] from The Story of Artemisia

Look closely at The Petitions [right part] from The Story of Artemisia. A tapestry depicting a fountain that features two nude females holding a platform on which another nude female lies, her arm around a moose.

Art Institute of ChicagoCrispin

Look closely at Crispin. Engraved print in black ink of a man standing, dressed in 17th-century clothing that includes a cape, a ruffled collar, and boots up to his knees, in a country setting.

Art Institute of ChicagoThe Fountains

Look closely at The Fountains. Large painting of ancient arch ruins, statues, humans are small in comparison.

Art Institute of ChicagoThe Elephant, from The Berain Grotesques Series

Look closely at The Elephant, from The Berain Grotesques Series. Bordered textile depicting a festive scene on a gold background in yellow, red, green, and blue.