A CLOSER LOOK
The museum identifies this painting as tempera and oil on wood and credits Sandro Botticelli (Italian, 1444/45–1510).
The museum's collection notes: The perfectly round form, called a tondo, became popular during the 1440s, especially in Florence. Made for domestic settings instead of churches, the circular format challenged the artist to create a harmonious, balanced composition within this more difficult shape. The attribution has been a matter of debate. Botticelli often collaborated with students, including Filippino Lippi, who would himself become a significant painter. Few specialists have doubted that Botticelli executed the central passages: the delicate modeling of the faces, the graceful poses, the figures’ profound interiority, and the diaphanous veil are the artist’s hallmarks