YOUR NEXT DISCOVERY/ArtifactsFollow your curiosity
Pure Tones among Hills and Waters, from The Cleveland Museum of Art
The Cleveland Museum of Art · Open Access · Reuse terms

China, Qing dynasty (1644–1911) / 1664

Pure Tones among Hills and Waters

Pure Tones among Hills and Waters

The Cleveland Museum of Art catalogs Pure Tones among Hills and Waters as painting (China, Qing dynasty (1644–1911) · 1664).

Biographical notes on Xiao Yuncong relate that he did not pursue the career of an official, but "furnished a cottage in the eastern suburbs [of Wuhu in Anhui province] and amused himself playing the qin (zither) and reading every day."

SERENDIPITYA little unexpected
FamiliarWeird

The museum identifies this painting as Handscroll; ink and light color on paper and credits Xiao Yuncong (Chinese, 1596–1673).

The museum's collection notes: Painted at age 68, this landscape is one of Xiao Yuncong’s most mature works. Extraordinary in its combination of fine details with bold brushstrokes and bluish washes, it is also one of his longest compositions in handscroll format, extending over 23 feet. Throughout his lifetime, Xiao visited Nanjing and Yangzhou, where he met with other painters and literati. Regarded as the founder of the Gushu school (姑孰派) of painting, Xiao painted from nature, and his landscapes are informed by his travels, as well as by his experience as a print designer.

The Cleveland Museum of ArtPure Tones among Hills and Waters

Original explanation based on the sources above. Images carry their own reuse terms.