Coronation of the Virgin

The Cleveland Museum of Art catalogs Coronation of the Virgin as painting (Italy, Florence · 1420s).

WHY IT’S INTERESTING

Since its acquisition in 1944 the authorship of this painting has been updated from the workshop of Fra Angelico to the master himself.

SERENDIPITYA little unexpected

FamiliarWeird

A CLOSER LOOK

The museum identifies this painting as tempera and gold on wood panel and credits Fra Angelico (Italian, 1400–1455).

The museum's collection notes: This picture’s original use is uncertain. Its size and shape are appropriate for a predella (the pedestal portion of an altarpiece), which often consists of several small panels. However, the Coronation of the Virgin almost never appears on predellas. The panel’s minute detail and rich finish suggest it may have been an object for private devotion. This is believed to be an early work by Fra Angelico, whose real name was Guido di Pietro, a Dominican monk in Florence. Here, an angel holds the Virgin’s train while she kneels to receive the crown offered by Christ. The scene glimmers with gold; the thrones are draped with starry tapestries, the

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The Cleveland Museum of ArtCoronation of the Virgin

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