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Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Bo, from The Cleveland Museum of Art
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Iran, Tabriz, Ilkhanid period (1256-1353) / 1330–35

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Bo

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Bo

The Cleveland Museum of Art catalogs Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Bo as manuscript (Iran, Tabriz, Ilkhanid period (1256-1353) · 1330–35).

The Shahnama is an epic poem that traces the fortunes of heroes and kings, of lovers and enemies.

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The museum identifies this manuscript as opaque watercolor, ink, and gold on paper.

The museum's collection notes: In this intense painting, Bahram Gur plunges his sword into the breast of a dragon. A favorite character from Iran's pre-Islamic history, Bahram Gur (reigned 420–38 CE) was a popular ruler of the Sasanian dynasty and a great hunter. He took the name "Gur," meaning onager (a wild ass), because it was his preferred game, although he also excelled at killing dragons. As evidenced by this illustration's rock formations, tree trunk, and dragon, Iranian painting in the Mongol period borrowed numerous stylistic and spatial elements from Chinese models. With the surging landscape and writhing dragon rendered with equal energy, this is a picture of ex

The Cleveland Museum of ArtBahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Bo

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